Understanding Zohran Mamdani's Style Choice: The Garment He Wears Reveals Regarding Contemporary Masculinity and a Changing Culture.
Coming of age in the British capital during the noughties, I was always surrounded by suits. They adorned businessmen rushing through the financial district. You could spot them on fathers in the city's great park, playing with footballs in the evening light. Even school, a cheap grey suit was our required uniform. Historically, the suit has served as a costume of gravitas, signaling authority and performance—traits I was told to embrace to become a "adult". Yet, before recently, my generation appeared to wear them less and less, and they had all but vanished from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a sober black overcoat, crisp white shirt, and a notable silk tie. Riding high by an innovative campaign, he captured the public's imagination like no other recent mayoral candidate. But whether he was cheering in a music venue or appearing at a film premiere, one thing remained mostly unchanged: he was almost always in a suit. Relaxed in fit, modern with unstructured lines, yet conventional, his is a quintessentially professional millennial suit—that is, as common as it can be for a generation that seldom chooses to wear one.
"This garment is in this weird position," says men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal locations: marriages, memorials, and sometimes, court appearances," Guy explains. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a tradition that has long ceded from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should support me. I have authority.'" Although the suit has historically signaled this, today it enacts authority in the attempt of gaining public confidence. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it enacts masculinity, authority and even closeness to power.
This analysis stayed with me. On the infrequent times I need a suit—for a ceremony or formal occasion—I dust off the one I bought from a Tokyo department store a few years ago. When I first picked it up, it made me feel sophisticated and expensive, but its tailored fit now feels outdated. I imagine this feeling will be only too recognizable for numerous people in the global community whose families come from other places, particularly developing countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a specific cut can therefore characterize an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. Yet the attraction, at least in some quarters, persists: recently, major retailers report tailoring sales rising more than 20% as customers "shift from the suit being daily attire towards an desire to invest in something special."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's not poor but not exceptionally wealthy." To that end, his mid-level suit will appeal to the group most likely to support him: people in their 30s and 40s, university-educated earning professional incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably don't contradict his proposed policies—which include a capping rents, constructing affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing this brand; he's a Brioni person," observes Guy. "As an immensely wealthy and grew up in that property development world. A power suit fits seamlessly with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a well-known leader's "controversial" tan suit to other national figures and their notably polished, custom-fit appearance. As one British politician learned, the suit doesn't just clothe the politician; it has the potential to characterize them.
The Act of Normality and Protective Armor
Maybe the point is what one scholar calls the "performance of ordinariness", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice taps into a studied understatement, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "This attire isn't apolitical; historians have long noted that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
This kind of sartorial "code-switching" is not a new phenomenon. Even iconic figures once donned three-piece suits during their early years. Currently, other world leaders have started exchanging their usual military wear for a dark formal outfit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the tension between belonging and otherness is apparent."
The attire Mamdani chooses is deeply significant. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under pressure to conform to what many American voters look for as a sign of leadership," notes one author, while at the same time needing to navigate carefully by "not looking like an elitist selling out his distinctive roots and values."
But there is an acute awareness of the double standards applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, able to assume different personas to fit the occasion, but it may also be part of his multicultural background, where adapting between cultures, traditions and attire is typical," commentators note. "White males can remain unnoticed," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must meticulously negotiate the codes associated with them.
In every seam of Mamdani's official image, the dynamic between belonging and displacement, insider and outsider, is evident. I know well the discomfort of trying to conform to something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not neutral.